MusicLab – RealGuitar is a sample-based, specialized virtual instrument, with an innovative guitar sound simulation approach, and guitar performance on the keyboard. It can be used as a VSTi with any host application supporting VST 2.0, DXi and as a standalone version (Standalone). Active power RealGuitar consists of 3 completely new technologies:

• Realguitar Song Model
• Guitar Modes In Order
• Real Guitar Song Mode

How do you know which mode to play the guitar in? Here’s where things get tricky. Although the major scale has multiple modes, musicians generally think of and notate music as being in only the relative major and relative minor, even when another mode is being used. So songs in the major modes (Ionian, Lydian. Oct 08, 2017  Song Global mode, turning RealGuitar 4 into a powerful songwriting tool: - Easy-to-use built-in Song Track for constructing guitar parts - Chord Selector, allowing to quickly select and insert chords - Import the whole chord sets directly from WEB page or Text document. Click Drag button at the left of Tempo combo box and drag all pattern track events directly to the first beat of your DAW’s MIDI track outputted to RealGuitar. Press Track button in the lower part of Song mode window to disable Song Pattern track, which will be greyed out. Mar 12, 2019  This feature is not available right now. Please try again later.

1. New multichannel audio technology hierarchical representation, including a library of specially recorded samples taken from every fret of all 6 strings of a real guitar.
2. Unique technology Floating Fret Position, simulating a change in the guitar player’s fret position, enabling the ability to play 104 guitar fretboards using only 43 keys of a standard keyboard!
3. The original Guitar Touch technology makes it easy to simulate the basic techniques of guitar playing (tremolo, strumming, plucking, sliding, bending, muting, etc.) using a standard MIDI keyboard and MIDI controllers (Pitch, Wheel Modulation, Sustain Pedal, After Touch).

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What’s New in Version

Two instrument combo pack
RealGuitar Classic – includes all of our original guitar models with loads of new playability features (fully backward compatible with RealGuitar 4)
RealGuitar Steel String – features the debut of our new Steel String guitar sample with five patches and three tuning selections for each

New steel string guitar sample set
New high quality 24-bit stereo samples
6-string, 7-string, Baritone guitar tunings
12-string Standard and Baritone guitars
14-string Standard guitar
Nashville Tuning for Standard and Baritone guitars
Authentic, deep velocity response with controllable Buzz and Slap noises
Up to 30 different samples for notes
Stereo, Mono, and Double output options
Stop Slap, Stop Strum sound FX
Palm Mute sound with tightness control

New multi performance mode
Combining various guitar techniques (strumming, soloing, string picking, etc.) in a single performance layout
25 new Key Switch FX in chordal modes
Velocity controllable number of strings in strummed chords
Live control of solo and strum techniques
Live control of chord inversions / positions
Free voices leading in strummed chords
Hammer-Ons and Pull-Offs in chords
Slider (Bottleneck) guitar technique emulation
Numerous performance options, effects, and their combinations

New usability features
Advanced Velocity Curve control
Hi quality Reverb FX
Internal Loop in Song mode
Use of DAW MIDI track to edit and play Pattern track
Streamlined user interface for RealGuitar Steel String

Year / Release Date : 10.2017
Version : 5.0.0.7353
Developer : MusicLab
Developer’s site : MusicLab
Format : VSTi, VSTi3
Bit depth : 32bit, 64bit
Tabletka : present
System requirements : Windows 7 SP1 / 8.1 32bit or 64bit
VST2 / VST3 32bit or 64bit host

Virtual dj download for pc.

Realguitar Song Model

How do you know which mode to play the guitar in? Here’s where things get tricky. Although the major scale has multiple modes, musicians generally think of and notate music as being in only the relative major and relative minor, even when another mode is being used.

So songs in the major modes (Ionian, Lydian, and Mixolydian) are all treated as if they were plain major, or in Ionian mode, while songs in the minor modes (Dorian, Phrygian, and Aeolian) are all treated as if they were natural minor, or in Aeolian mode.

Music publishers generally disregard the mode and write everything as if it were in a plain major or natural minor key, going off of the tonic chord. For example, if a piece of music centers on a G chord, it’s notated with a key signature reflecting the G major scale even if it’s really G Lydian or G Mixolydian.

Likewise, if a piece of music centers on an Em chord, it’s notated with a key signature reflecting E natural minor even if it’s really E Dorian or E Phrygian. Then any necessary accidentals (sharps, flats, or natural signs) are used for notes that fall outside of the key signature.

As a result, you receive no initial instruction that the music you’re reading is based in a scale other than the scale reflected in the key signature. This isn’t a problem for sight-readers; they’re used to playing everything off the page anyway, accidentals and all.

But if you want to know how a piece of music was composed or if you plan to improvise a guitar solo, you need to understand the real parent major scale being used.

Guitar Modes In Order

Take the song “Seven Bridges Road” by the Eagles, for example. The primary chord progression is in D Mixolydian mode. The notes and chords are from the G major scale (G-A-B-C-D-E-F♯), and the 5th scale degree, D, functions as the tonic. Because the tonic chord is D, music publishers notate the song as if it were in a plain D major key signature, which includes two sharps, F♯ and C♯.

Then every time a C-natural note occurs in the music, both in the melody and in the chords, they specially mark it with a natural sign (♮) to cue you not to use the C♯ note reflected in the key signature.

If this were written with a key signature for G major, you wouldn’t need any accidentals. But, alas, things are never that easy.

Real Guitar Song Mode

Publishers often use this technique when a piece of music is in Lydian; they write it as if it were plain major and rely on accidentals to make any necessary changes. For example, C Lydian, which is drawn from the G major scale, is written with a key signature of C, implying the plain C major scale. Then a sharp sign appears each time an F♯ occurs throughout the music.

The same thing happens in minor keys, too. Take, for example, “Oye Como Va” by Santana. This song centers on an Am chord and is said to be in the key of A minor. However, saying A minor implies A natural minor, the relative minor of C major. That’s incorrect.

A natural minor features an F-natural and produces a Dm chord. But this song features F♯s and D major chords. The parent major scale is really G major. Nevertheless, you usually see this song marked with a key signature of A minor with sharp signs next to all the F notes used in the score.

If this were written with a key signature for G major, you wouldn’t need any accidentals. You can expect to see the same technique used with Phrygian; it’s notated as natural minor and then corrected with accidentals.