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6. Ipad Garageband Guitar

Recording a Smart Instrument, Guitar Amp or Audio Recorder. To record an instrument part in Garageband for iPad follow these easy steps: Step 1. First of all, make sure you are in Instrument view and not in Track view, then choose and tap the instrument you want to record. The Playhead can then be used to mark the starting point of. There are also MIDI connectors such as the iRig MIDI, which hook up MIDI keyboards, drum machines, drum pads, pedal boards and more to an iOS device. Connect your guitar to your iOS device (we’re using an iRig), get your headphones on and turn up the volume on your headphones and guitar. Open GarageBand.

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Home music production really took off with the introduction of Apple's GarageBand, included with all new Macs. The massive collection of Apple Loops and software instruments included with the program, as well as the huge variety of third-party content available, make it easy for even beginner users to produce professional-sounding songs.

Inevitably though, the time will come when you'll want to add your own vocals to a song you've created in GarageBand. Or perhaps you want to record a podcast or some other non-musical material. So, in this tutorial, we'll show you the basics of recording vocals into GarageBand '11.

Equipment

Before you can begin recording your vocal track, you'll need something to record your voice with and a way to hear what you're doing. Now, you could record your voice through your Mac's built-in microphone and in some cases, like recording a podcast or a simple video voiceover, you could get useable results. However, for recording vocals for a song, unless you're going to be heavily processing the voice track or are looking for an intentionally raw sound, you'll want to use a reasonably professional vocal microphone.

There are a million different mics available that are appropriate for vocals, and we aren't going to recommend any specific ones here. But if you're looking to get a vocal sound that compares with professional recordings, one of the standard types of mics used in the recording industry is what's called a large-diaphragm condenser (LDC) microphone. There are many of these available too, with prices that can run into the thousands of dollars for a top-of-the-line model. But for home recording purposes, you can do well for under two hundred dollars.

The advantage of an LDC mic is that they're more sensitive than the standard dynamic mics you're more likely to see on a live stage, and they tend to 'warm up' a recorded voice, which is why they're favored for studio recording. Condenser mics do require an external power source, referred to as phantom power, so if you go for a standalone condenser mic, you'll need to be sure that your audio interface supplies phantom power.

However, there's a more recent development in the world of home recording that you should investigate also: the availability of a variety of USB-powered large diaphragm condensers. These are especially useful for beginner home recordists, because they combine an LDC and an audio interface in one device. Many of them even provide a headphone jack for monitoring. A USB LDC connects directly to the USB port on your Mac; the USB port supplies the phantom power for the condenser. In addition, the USB mic is its own audio interface, so you don't need to purchase a separate interface to plug the mic into. And, as mentioned, most USB mics also have a headphone output that you can use to monitor your GarageBand inputs and outputs.

This is important because if you listen (on external speakers) while you're recording your vocals, the mic will either feedback into itself, or you'll pick up your instrumental tracks through the mic along with your voice, and you won't be able to mix the final results properly.

By the same token, you'll ideally want to use closed-ear headphones rather than earbuds for monitoring; closed-ear phones generally sound better than earbuds, and also provide more insulation against audio leakage into your mic while recording. And because LDC mics tend to be more sensitive to picking up Ps and other popping sounds, a pop filter is also a good investment. Pop filters are small screens that you mount in front of the microphone to reduce the force of those 'P' vocal sounds (called plosives) without affecting the basic tone quality of the voice.

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Step 1 - Create a New Track

OK, assuming you have all your vocal recording gear set up and that you already have an instrumental track in your GarageBand project to record over, you'll need to create a new track to record into. Choose Track > New Track.. (Command-Option-N), then click Real Instrument. Under 'My instrument is connected with', choose your mic input (if you're using a USB mic, it will probably appear as USB Audio CODEC rather than the actual name of the mic). Under that, choose your input channel (which for a USB mic will probably default to Mono 1). Under 'I hear sound from', choose your monitoring output (again, choose USB Audio CODEC if you want to monitor through the mic's headphone output. Otherwise choose your available output device). Finally, click the 'I want to hear my instrument as I play and record' checkbox to hear your voice through your monitoring device as you sing:

Then click 'Create' to make the new track.

Step 2 - Set Your Monitor Source

When you create the new track, the Track Info Pane will automatically open to the right of your tracks. You've already set your input source, so don't worry about that. But you do want to set your monitor source in the Monitor pop-up menu: choose 'Off' to disable monitoring, choose 'On' to monitor your mic and the instrumental track through speakers, or choose 'On (no feedback protection)', which is specifically designed for headphone monitoring, which is what we want here:

Step 3 - Set Your Record Level

Next, sing or speak into your mic and look up in the track name area at the record level meters for your new track (it's located above the slider). Note that this slider doesn't affect the input level, just the playback level. For a USB mic, the recording level is probably set on the mic itself; otherwise you set it in the Track Info area where we just set the Monitor source.

So, while singing or speaking, adjust your recording level so the meters read, on average, in the upper end of the green area. It's OK if the meters go into the amber range occasionally, but don't hit the red marks at the ends of the meters otherwise you'll get distortion in your track.

Step 4 - Set Effects for the Track

At this point, you can just start recording your vocals, but many people like to hear what vocal effects will sound like on the track as they record it, so they can respond to the effect while singing. This is strictly a matter of taste but for now, let's apply effects while recording.

So, with the track selected, click on Vocals in the right side of the Browse tab in the Track Info Pane, then choose different vocal effects settings while singing and listening to the results. Again, this is a matter of taste and you can always change the effects setting after recording. For now, choose Pop Vocals from the list:

Step 5 - Record!

Alright, let's record: with your new track selected, drag the playhead to the location in the track where you want to start recording (or click the 'Go to the beginning of the song' button in the Transport), then click the Record button to begin recording. You'll hear your instrumental track playing back (adjust its playback level with the Set the track volume slider if necessary) and as you sing, you'll see your vocal track appear in red in track window. When you're done recording, hit the Spacebar to stop, after which your track will appear in purple:

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Rewind back to the beginning and hit Spacebar again to hear your recording, adjusting the relative track volumes as needed. If you don't like what you just recorded, simply undo to remove the recording and record again.

And those are the basics. From here you can, for example, try applying different vocal effects to your vocal track by just choosing them from the browser, or you can add another vocal track by recording into a new track.

Did you know there are plenty more tricks on recording audio in GarageBand? Learn more in Garageband'11 101.

More then ever, it has become easier to lay down your song ideas while on the move. With GarageBand for iPad, we are also closer then ever to having a full professional recording studio in a very thin package. And at a price of $4.99, who can complain? For those who are just starting out, here's a first tutorial on recording guitar to get you and your iPad rocking.

Setup and Equipment needed

First off before even starting the application, you should get the hardware you need to enable you to record your guitar to your iPad. There are two basic input types you need to consider:

1. Guitar Input for Electric Guitar and Bass (IK Multimedia iRig, Apogee Jam, AmpKit Link)
2. Mic Input for acoustic guitar (IK Multimedia iRig Mic, Blue Yeti Pro -- requires Apple's Camera Connection Kit)

L to R: IK Multimedia's iRig, Blue Yeti Mic, Apple's Camera Connection Kit

Guitar Amp

Launch GarageBand for iPad and plug your guitar into the iRig. On the left of the screen is a ' 1/4' jack' button which lets you add a noise gate. Handy for those distorted tones. Next to it is the guitarist's best friend: the Tuner.. no excuses for a flat g-string!

On the far right is the 'pedals' section. Here you can add up to 4 pedals, change their effects level and remove pedals. To get back to the amp section, tap the 'Amp' icon on the right of the screen. One nice thing about GB for iPad is that you can change the amps settings after you've recorded your part and even create your own presets for future recordings.

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Audio Recorder

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If you want to record acoustic guitar, you can use the iPad's built in microphone but I would recommend looking at Blue Microphone's 'Yeti Pro' or Apogee's upcoming 'Mic' to add a professional sheen to your recordings. When you first open Audio Recorder it gives you a VU meter to check your audio input levels. A noise gate is also available by tapping on the '1/4' plug' icon.

Once you record a take, you can then add processing to the sound from a preset selection that include effects and voice transformers. The effects also give you sliders for compression, reverb, chorus, etc. depending on the effect you choose.

Recording Tips!

First and foremost.. PRACTICE! GB on the iPad does not allow editing like GB on a Mac and you don't get features like Flex Time, multiple takes, pitch correction, etc. Also, you will have to play the parts at the tempo of the song unlike those who slow a song down, record their part, and speed it up after. While some would look at this as a detriment, I look at it as positive growth for musical skills and it ultimately gives you a better understanding of your song. After all, becoming a better musician is a life long process and not a means to an end.

After recording an electric guitar you have plenty of options to affect the tone as the amps have EQ and FX pedals to compress, etc. If you want to record feedback on the electric guitar, you will need to connect the output to your speakers and boost the main volume. But.. be careful as each amp/guitar has it's own characteristics for feedback and some are just plain uncontrollable ear-piercing squeals. Layering guitars also has the usual big sound but also eats up tracks so planning is crucial.

Also, when planning your song parts, take into account that GB for iPad does things in 'sections' and only up to 10 sections. While this may not seem like a big deal, you will want to figure out the parts/sections of your song beforehand. For example, song intro, verse 1, pre-chorus, verse 2 with added guitar, pre-chorus with organ, Chorus, verse 3 with less instruments, bridge, intro, Chorus, Chorus 2, End, etc. You can put the 'Sections' into 'Automatic' mode which gives you whatever amount of bars you want i.e. Record intro and verse 1 together.

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When recording an acoustic guitar or instrument, be sure to try different takes with your USB microphone or iPad mic on different spots and distances from the guitar. Mic placement is very critical to get a decent sound. For example, placing a mic close to the sound hole of the guitar can add unwanted bass frequencies. Although with the iPad mic I found this to be the best spot.

Also, there are No EQ Frequency bands to allow you to fix things after recording. For a brighter tone, consider newer strings or a harder pick. If using the iPad's mic, make sure your room is as quiet as possible, because it'll pick up every little sound as the signal to noise ratio is not great. Another trick is to use the Guitar Amp settings for EQ control. I found the most natural to be the Clean Combo setting with the gain off. As you increase the gain, it adds some crunch to the tone. This way you can EQ somewhat and even add some nice compression and chorus. Even playing with the Noise Gate setting gave some interesting results. Metal Acoustic! Experimentation is key.

Ipad Garageband Guitar

Stay tuned for more GarageBand for iPad tips and tutorials on recording synths, pianos, etc. and vocals!